Copyright: © Leon Kossoff | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have Leon Kossoff's "The Syndics," a print in the Tate collection. It's a bit ghostly, almost like a fading memory. What figures or symbols stand out to you in this composition? Curator: The hats, definitely. Notice how they create a visual rhythm, almost a code. Hats have always signified status, profession, even personality. Here, they seem to both unite and obscure the individuals, hinting at the complexities of collective identity. Editor: So, the hats are more than just hats? Curator: Precisely. They are symbols laden with historical and social weight. What feelings or associations do these figures evoke in you? Editor: I guess I didn't realize how much a hat could say! It makes me think differently about group portraits now. Curator: Indeed, seeing how Kossoff uses such potent symbols opens up new avenues for understanding the power of visual language.
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This print is one of many etchings executed by Leon Kossoff in response to, and literally in the presence of, oil paintings by old masters; in this case The Syndics of the Clothmaker's Guild (The Staalmeesters), 1662, by Rembrandt Harmenszoon van Rijn (1606-69), owned by the Rijksmuseum, Amsterdam. This print was never published as an edition; Tate owns the only trial proof.