Handwoven Coverlet c. 1939

This is Maud Holme’s drawing of a handwoven coverlet, made sometime in the 20th century with graphite on paper. It’s more than just a representation; it feels like a loving study of texture. The way she renders each knot and weave is pretty tender. There’s this really lovely quality in the graphite; it’s soft and almost hazy, giving the textile a dreamy, ethereal feel. It’s not just about copying what she sees, it’s about translating the tactile experience of the fabric. You can almost feel the ridges and valleys of the woven threads. And the shading! Look at how she uses it to create depth and dimension. There’s one little section where the pattern shifts slightly, and it’s like a tiny rebellion against perfect order. I’m reminded of the drawings of Agnes Martin, in that this piece feels very much about simple gestures repeated, and the subtle beauty that emerges from that process. It's like she’s saying something profound about time, labor, and the quiet beauty of everyday objects.