Gezicht op Rome, met de kerken van S. Giuliano, Ss. Vito e Modesto en Sta. Maria Maggiore 1761 - 1817

Daniël Dupré made this delicate drawing of Rome with pen and brown ink, accented with brown wash. Look closely, and you'll see how the pen work defines the architectural details and foliage, while the wash creates subtle tonal variations. This combination gives the artwork a sense of depth and atmosphere. The traditional method of pen and ink drawing involves a direct, unmediated interaction between the artist, their tool, and the paper. In the 18th century, this technique was favored for its portability and capacity for detailed observation, reflecting the period’s emphasis on empirical study and documentation. It’s also a relatively accessible medium, not requiring the same investment as oil painting, perhaps aligning with Dupré’s own artistic practice. By appreciating the materials and methods used, we gain a deeper understanding of the artwork's creation, and its place within broader artistic and social contexts. The finished artwork, with its subtle textures, offers a glimpse into a specific moment and place, filtered through Dupré’s skilled hand.