Orde van de Nederlandse Leeuw, ridder, borstkruis uitgereikt aan J.E. de Man by Anonymous

Orde van de Nederlandse Leeuw, ridder, borstkruis uitgereikt aan J.E. de Man 1820 - 1830

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silver, metal, gold

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portrait

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neoclacissism

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silver

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metal

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gold

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historical fashion

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decorative-art

Dimensions: height 4.3 cm, width 2.8 cm, weight 6.94 gr

Copyright: Rijks Museum: Open Domain

Editor: This is a breast cross of the Knight in the Order of the Netherlands Lion, presented to J.E. de Man, dating back to the 1820s or 30s. It's crafted from gold, silver, and what appears to be other metals. It feels very austere to me, official and important, but maybe a little bit cold as an object? What do you make of it? Curator: Cold, maybe! But I see an icy fire there too – that gleam of polished silver speaks of ambition, of a life lived in service. Imagine the chest it adorned, puffed out with pride, perhaps, but also carrying the weight of responsibility. Can you almost *feel* the history radiating from this tiny sun? I find myself wondering about J.E. de Man and his story. What did he do to receive it? Editor: It makes you think, doesn't it? It's more than just shiny metal, really. More than just 'bling'! Curator: Absolutely. Think of the neo-classical influence too; that strive for order, clarity, *duty* in its very design. Each element, the crown, the cross, all speak to that particular era's obsession with structure. It's meant to inspire awe and a certain... distance, isn’t it? But, also promise, like all great symbols! Do you feel any particular pull to those materials? Gold... silver... what feelings do those strike in your emotional core? Editor: They make me think of wealth and status, definitely, but also maybe how power is represented in objects. It makes me reflect about who we celebrate and how. It has so many more layers than just the aesthetic. Curator: Precisely! That coldness you initially felt transforms then, doesn't it? It becomes a calculated statement, a tiny piece of theater designed to convey a very powerful message. Now, if only objects could talk... Editor: Definitely! It goes to show that sometimes things are never just about how they look; there are always deeper stories waiting to be uncovered.

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