Gateway of Grotesques, Sainte Ouen, Rouen c. 20th century

Editor: This is Herman Armour Webster's "Gateway of Grotesques, Sainte Ouen, Rouen." It’s a print, and the level of detail is striking, but there's also a certain darkness to it. What does this print communicate to you? Curator: It speaks to the romanticized view of gothic architecture popular at the time. Notice how Webster emphasizes the grotesque elements, aligning with a broader cultural fascination with the medieval and its perceived darkness. How does the print engage with ideas of religious institutions? Editor: I see what you mean about romanticizing the gothic era. Perhaps it's a comment on the church's imposing presence? Curator: Precisely. It prompts us to consider the socio-political role of the church and the public's evolving perception of its power.