The Betrothal of Saint Catherine 1570 - 1650

Nicolas Perrey created this print of the Betrothal of Saint Catherine in the 17th century using engraving. This intaglio process involves cutting lines into a metal plate, applying ink, and then using a press to transfer the image to paper. The very act of producing a print speaks to a wider culture of reproduction. Unlike a unique painting or sculpture, prints could be made in multiples, offering wider audiences access to imagery, and artists a reliable source of income. Looking closely, you can see how Perrey used hatching and cross-hatching to build up tone and texture. These myriad tiny lines represent a considerable investment of labor. The print medium itself also influences the aesthetic. The sharp, precise lines are well-suited to the detailed depiction of the figures and landscape. While we think of prints as being easily reproducible, in the 17th century, creating a print was still a skilled craft, requiring specialized knowledge. It is worth remembering that the very nature of materials, making, and its context are vital in understanding the full meaning of the artwork.