print, engraving
portrait
aged paper
toned paper
baroque
old engraving style
15_18th-century
history-painting
engraving
Dimensions: height 235 mm, width 153 mm
Copyright: Rijks Museum: Open Domain
Editor: This is a fascinating Baroque print, “Portret van Johann Caspar Hagenbuch,” dating back to 1750 and created by Johann Rudolph Holzhalb. It's an engraving on what looks like toned paper, and the detail is incredible! It feels so formal, yet that engraving that he’s holding has intricate details that feels very intimate. What symbolic reading would you give to this? Curator: Consider the sitter, Hagenbuch. What is he presenting to us by presenting that engraving to us? Notice how his gaze meets ours, while his hand directs our attention to the engraving. The engraving *is* his identity. We can also consider the symbolism of the book itself; in 1750, what did a book represent? Authority? Knowledge? Learning? Lineage? Editor: Authority for sure. He’s a professor! It is amazing how the image is so formal and imposing while conveying knowledge, too. Curator: Precisely! The book within the portrait acts as a potent symbol of his authority and intellectual contributions, embedding cultural memory and the weight of scholarship within the image. Editor: The continuity between his knowledge and presentation of self… it makes one wonder what he was like. Curator: Think about the context; 1750… The engraving isn’t just an image but a historical artifact carrying layers of meaning that reach across centuries. This single image is so rich with psychological and historical connections. Editor: I now see the engraving and the portrait within the engraving not only a historical document but also an encoding of cultural and intellectual legacy, quite different from how I first saw the work. Curator: Indeed, the layers of symbolism and meaning embedded within portraiture serve to solidify cultural memory, which is often quite surprising when closely examined.
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