Vaas met decor in groen en goud by Adolf le Comte

Vaas met decor in groen en goud c. 1900

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ceramic, earthenware

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art-nouveau

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ceramic

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earthenware

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stoneware

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ceramic

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decorative-art

Dimensions: height 12.0 cm, diameter 11.2 cm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this vase, I immediately think of spring. The light green decoration on the creamy earthenware is so fresh. Editor: This stoneware vase is called "Vaas met decor in groen en goud", or "Vase with Decoration in Green and Gold" and was crafted around 1900 by Adolf le Comte. The repeating floral and geometric motifs are so typical of the Art Nouveau style that was taking Europe by storm at the time. Curator: Indeed, the choice of earthenware would have been particularly significant then. Mass production meant ceramic was more widely available than ever, leading to experimentation, a break with old styles and the Arts and Crafts Movement. Editor: Precisely. And those stylized flowers! Don't they evoke a kind of idealized nature? Not a realistic portrayal, but rather an abstracted essence of floral growth. Notice the strategic use of gold, highlighting key design elements and providing an elegant finish. The careful distribution contributes a feeling of restrained luxury to an everyday object, right? Curator: I see it differently. To me, the vase demonstrates Art Nouveau's efforts to ennoble utilitarian objects. In making it beautiful and stylized, artists elevated daily life. The gold adds subtle affluence, showing who its customers may have been at the time. The owner valued handmade artistry over industrialized goods, displaying artistic refinement for everyone to see. Editor: It certainly encourages closer viewing, a deliberate slowing-down. Perhaps that's part of its function: not just to contain, but to prompt contemplation. It makes you think. I like to envision this vase filled with a few carefully selected blooms on a windowsill, light catching on the gold trim, and offering beauty even in small doses. Curator: For me, seeing how the design responded to changing industry helps explain how it would have fit in its moment. Now it's intriguing to reflect on our own relationship to design objects. What kinds of images will last in the decades ahead, I wonder. Editor: The conversation always continues with such iconic objects!

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