The Remains of Minotaur in a harlequin costume by Pablo Picasso

The Remains of Minotaur in a harlequin costume 1936

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pablopicasso

Espace d'Art Moderne et Contemporain, Toulouse, France

mixed-media, painting, watercolor

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allegories

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mixed-media

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allegory

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painting

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figuration

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oil painting

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watercolor

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watercolour illustration

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history-painting

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surrealism

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mixed media

Dimensions: 900 x 1200 cm

Copyright: Pablo Picasso,Fair Use

Curator: This is Picasso's "The Remains of the Minotaur in a Harlequin Costume" created in 1936 using mixed media. Editor: Whoa, that's bleak. The palette is so washed-out and somber, almost like looking at a faded memory of a really bad dream. Curator: The image is part of a broader series exploring the Minotaur myth, a recurring motif in Picasso’s work during the 1930s, acting as a powerful symbol of human and bestial instincts. Editor: It feels loaded, doesn't it? The Minotaur figure slumped over in this garish Harlequin outfit, it's such a jarring contrast, all playfulness drained away. A bit like a king with no kingdom, a powerful symbolic deconstruction. The harlequin representing society’s mockery or disguise of inner turmoil? Curator: Precisely, Picasso was often drawing from personal experience and anxieties. The Minotaur here arguably encapsulates a psychological state, an exploration of violence, vulnerability and perhaps even guilt, masked by this costume that points to commedia dell'arte, to theatricality, to role-playing, all loaded concepts in that epoch. Editor: Absolutely. The bird-headed figure looms above him adding to the menacing feel. He's terrifying, and those outstretched arms of the figure on the left appear to offer a form of ambiguous release...almost violent? It's not as overtly aggressive as some of Picasso’s Guernica-era works, but a far subtler type of brutal, something emotional. Curator: That's astute. There’s a sense of desolation hanging in the air, amplified by the desolate landscape. Note how these archetypes function: The Minotaur isn’t just a beast; he’s a repository of repressed desires, a stand-in for the chaotic urges society struggles to control. And the harlequin's garb? An inadequate shield, failing to hide his sorrow. Editor: The tower is interesting too. Like a crumbling monument in the distance of what used to be civilization... a past that perhaps is no more? Curator: These details emphasize the allegory – humanity’s confrontation with its own darker impulses. Editor: Looking again, there's almost an ethereal beauty amid all the anguish. Thanks for digging into the symbols; it’s made this experience so much richer. Curator: It is through such symbolic echoes that we comprehend the continuing resonance and multifaceted character of these characters, revealing humanity.

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