Portret van Georg Wonna by Andreas Matthäus Wolfgang

Portret van Georg Wonna 1699

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print, intaglio, engraving

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portrait

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medieval

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baroque

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print

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intaglio

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old engraving style

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historical photography

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history-painting

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engraving

Dimensions height 312 mm, width 213 mm

Curator: We are looking at an engraving from 1699, "Portret van Georg Wonna," by Andreas Matthäus Wolfgang. It depicts Georg Wonna, a pastor and superintendent, encased in an oval frame. Editor: The portrait has a certain austerity to it. The tightly framed composition and the dark, granular texture lend a formal, almost solemn air. The engraver masterfully uses line work to convey the subject’s stature and dignity. Curator: What strikes me is the meticulous process involved. The intaglio printmaking technique requires immense skill in carving lines into a metal plate to create the image, then inking it precisely. Consider the economic realities, too—prints like this played a role in circulating images and ideologies, extending Wonna’s influence and consolidating his position in the religious hierarchy. Editor: Indeed. Focusing on form, observe how Wolfgang balances areas of high contrast with subtle gradations to define volume and texture. Note the intricate detail of the ruff around his neck and the cascading drapery in the background. These details provide the image with visual depth and emphasize Wonna’s imposing figure within the frame. Curator: Exactly! The material of the print—the paper, the ink—becomes a vehicle for Wonna's image and status to circulate, reinforcing his social standing. Engravings like this served as prototypes for disseminating ideas and power relations within early modern European society. It is fascinating to reflect on the consumption of these images, particularly among those connected to Wonna's religious ministry. Editor: Beyond that, it seems like the engraving's visual harmony emphasizes specific elements—the subject's face, his hands—drawing the viewer's attention precisely where the artist intends, ensuring a narrative clarity. Curator: Precisely. Thinking about this print, it’s hard not to see how it merges the symbolic and the functional, becoming both a means of communicating Wonna’s authority and also of upholding social structures within his community. Editor: Ultimately, Wolfgang’s control over line and form renders Wonna with a compelling presence and undeniable authority.

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