Calash c. 1936

Edward L. Loper painted "Calash" in watercolor, capturing a fashion accessory of a bygone era. The calash, with its arched, bonnet-like structure, echoes forms found in earlier expressions of modesty and status, like the veils of Renaissance portraits. These served not only as a physical covering, but also as a symbol of virtue and distinction. Interestingly, the calash, designed to protect elaborate hairstyles, becomes a symbol of status. This transformation is also evident in other cultural objects, such as the high chopines worn in Venice, which elevated the wearer above the common crowd, literally and figuratively. The folds and arches of the calash resemble the drapery in classical sculptures. In this context, it reminds me of how these folds subtly hint at concealed passions or reserved strength. The calash, like those ancient draperies, holds a silent, psychological power, inviting the viewer to project their own interpretations onto its form. It shows us how cultural objects carry collective memories, constantly resurfacing in new forms.