Landschap met een omgevallen boom before 1917

This small landscape with a fallen tree was made with pencil on paper by Matthijs Maris. I love how a simple medium allows for such directness of mark-making. You can see the artist thinking, almost feeling, his way through the scene. Look at the delicate, almost scribbled lines that build up the foliage and branches. There's a real sense of touch here, as if Maris is mapping the textures of the world with his pencil. The lines aren’t precious, they overlap and intersect, creating a kind of visual density. This is really interesting to me because it shows how the physical act of drawing can become a way of understanding and engaging with the world around us. It makes me think of other artists who used drawing in a similar way, like Philip Guston, where mark-making is a process of discovery. Ultimately, it's a reminder that art is an ongoing conversation, a series of questions and explorations rather than definitive statements.