Shekar-Dzong by Nicholas Roerich

Shekar-Dzong 1928

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painting, oil-paint, architecture

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painting

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oil-paint

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landscape

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oil painting

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mountain

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arch

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orientalism

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history-painting

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architecture

Copyright: Public domain

Nicholas Roerich made 'Shekar-Dzong', and well, it’s a trip. The lavender and ochre palette is so striking. Roerich’s mark-making feels intuitive; it’s like watching a painter think through colour. The texture is pretty smooth, but you can tell it’s oil - there’s something chalky and matte about it. I'm drawn to the way the paint describes the light on the mountain – those horizontal strokes give the impression of geological time, like each layer of pigment is a stratum of rock. Roerich's approach makes you consider how we experience landscape as a process, not just a view. This work reminds me of Marsden Hartley. Both artists were spiritually motivated and preoccupied with simplifying landscapes into elemental forms, but Roerich has a mystic intensity all his own. Ultimately, the painting embraces this kind of open-ended dialogue about how we connect to the world.

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