Design of fireworks: the rocket in its propelling capsule 1650 - 1750

Editor: So, this drawing, "Design of fireworks: the rocket in its propelling capsule," comes from sometime between 1650 and 1750. It's anonymous, done in ink, pencil and watercolour on paper. I find it very curious, with its emphasis on geometric form and what feels like functional design. How do you read it? Curator: The work indeed displays a meticulous articulation of form. Notice the precise rendering of cylindrical and spherical volumes, and the controlled tonal gradations achieved through the application of ink and watercolor. The interplay of these elements creates a self-contained system of representation, privileging clarity and order. Editor: It feels very technical, almost like a blueprint. Do you see any indication of symbolism in the lines and shapes themselves? Curator: Symbolism is potentially present but embedded within the formal structure. The rocket, the central form, connotes aspiration and power. Its design involves radial symmetry which has connoted perfection throughout art history. However, here it is purely an arrangement of geometric primitives to create something powerful. Is its meaning only visual? What purpose do we attribute to it? Editor: I guess I’m used to art being less literal. What stands out to me is how carefully balanced all the parts are; the proportions seem deliberately chosen. It’s really fascinating how much information and maybe beauty can come from just basic shapes, in a very technical but elegant presentation. Curator: Indeed. The drawing highlights how much meaning can reside in the pure ordering of visual elements, regardless of any overt symbolic program. It makes one consider what it means for something to have practical application, as well as have a strong sense of line and visual interest.