Mountain Artillery, Spain, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Mountain Artillery, Spain, 1853, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, lithograph, print

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portrait

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drawing

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aged paper

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weapon

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lithograph

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print

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impressionism

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figuration

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personal sketchbook

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orientalism

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men

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watercolour illustration

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genre-painting

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history-painting

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academic-art

Dimensions: Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Copyright: Public Domain

Editor: This is “Mountain Artillery, Spain, 1853,” a lithograph from 1888, by Kinney Brothers Tobacco Company. The detail is incredible for what's essentially an advertisement! It depicts a lone soldier, walking off into the sunset – well, maybe. There's something almost melancholy about him. What do you see in this piece? Curator: Melancholy, you say? I see a soldier geared for anything – perhaps burdened. It is as if he's carrying the weight of not only his equipment but of the very idea of "Spain, 1853". Don't you find it intriguing how something meant to entice people to buy cigarettes also unintentionally captures this subtle historical tension? I feel a bit like I've just stumbled into someone's private daydream of empire and ash. What does that say about the moment in history it depicts? Editor: So it’s more complex than a simple promotion? The figure definitely looks very serious. All business, no joy. Curator: Absolutely! Consider that period. The echoes of Romanticism, the looming specter of industrial warfare... even on this tiny stage, it becomes visible. It's like peeking into a collective unconscious, don't you think? Maybe the tobacco company stumbled into portraying that complexity by accident. And aren't those the most fascinating discoveries sometimes? Editor: I hadn't thought of it that way at all. Now I see it differently! This isn’t just an advertisement; it’s a little window into another world and time, full of complexities. Curator: Precisely. And that, my friend, is why art – even commercial art – never ceases to surprise and provoke us. We are forever trying to see ourselves.

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