Mary, Queen of Scots 1798

This print of Mary, Queen of Scots, was made in Vienna by Clemens Kohl in 1798. It presents us with an interesting example of the public role of imagery. The formal qualities of this image – its medium, small size, and the context of its production – offer insight into its meaning. As a print, this image was easily reproducible and widely circulated, allowing for a broad dissemination of a particular vision of Mary. Its creation in Vienna, underscores the international fascination with the Scottish Queen, particularly after her execution in 1587. The print participates in the construction of Mary as a symbol, one who has been debated and re-evaluated by historians, literary figures, and artists alike. Understanding such an image requires us to delve into the historical context, exploring the social and political forces that shaped its creation and reception. Investigating the history of printmaking, the market for historical portraiture, and the ongoing debates surrounding Mary's legacy, will no doubt enrich our appreciation of this intriguing image.