The Evening Glow of a Lamp (Andon no sekisho), from the series "Eight Views of the Parlor (Zashiki hakkei)" c. 1766
toned paper
childish illustration
cartoon like
asian-art
caricature
japan
cartoon sketch
personal sketchbook
watercolour illustration
cartoon style
storyboard and sketchbook work
cartoon carciture
Dimensions 28.6 × 21.5 cm (11 1/4 × 8 1/2 in.)
Editor: Here we have Suzuki Harunobu’s "The Evening Glow of a Lamp" from around 1766, a woodblock print currently residing in the Art Institute of Chicago. The scene is so peaceful and intimate; two figures illuminated by soft lamp light in a room with a beautiful landscape visible outside. What strikes you about the composition and technique? Curator: Consider the picture plane. Harunobu masterfully employs asymmetical balance. The lamp and figure on the right act as a counterweight to the figure absorbed in her letter on the left. Notice how the artist used varied line work; soft, muted, delicate marks help enhance the tranquility. Also note how the artist contrasted areas with and without ornamentation or representational details, thus activating figure/ground relationships to heighten the pictorial intensity. What meaning emerges from this tension between figure and void? Editor: That's an interesting point! I hadn't considered how the lack of detail actually draws you into the space and helps balance the more decorative elements like the figures' kimono patterns. Does the subdued color palette have a similar structural purpose? Curator: Precisely. The restricted palette, a hallmark of Harunobu, focuses our attention on form and line. Color, though subtle, delineates space and directs the eye. The ochre tones create a sense of warmth. Note the pale pink of the water in the distance versus the peach accent colors in the maple leaves. How would the impression of the work change if those colours were swapped or intensified? Editor: I see what you mean. A more vibrant color scheme would probably disrupt that sense of quiet contemplation. This focus on the elements of composition really enhances the viewing experience! Curator: Yes, by appreciating these choices and effects we can deepen our appreciation of the print itself. Now, if one thinks about that framing technique a bit more. . . . Editor: All these considerations are sure to add a lot for our listeners!
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