Benedetto Montagna created this print, “Apollo met Cupido bij Vulcanus”, using engraving techniques. The composition immediately strikes you with its dynamic arrangement of figures against a backdrop of contrasting textures and architectural forms. Montagna employs hatching and cross-hatching to delineate the musculature of Vulcan and the soft flesh of Cupid, creating a tactile quality that belies the flatness of the print. Apollo, adorned with a laurel wreath, is rendered with finer lines, perhaps to highlight his divine status. The artist challenges fixed meanings of classical iconography by portraying the god of craftsmanship, Vulcan, as the focal point, while Apollo and Cupid appear almost as incidental visitors. In closing, observe how Montagna uses line and perspective to create a surprisingly modern sense of depth, inviting us to reconsider classical myths through a contemporary lens. The print becomes not just an illustration, but a complex interplay of signs and cultural codes.