Sadie Cortelyou, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Sadie Cortelyou, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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print, photography, albumen-print

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portrait

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print

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impressionism

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photography

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19th century

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albumen-print

Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Curator: This small albumen-print card is from a series of promotional cards issued by Allen & Ginter, between 1885 and 1891, for their Virginia Brights Cigarettes, titled "Actors and Actresses." It depicts Sadie Cortelyou, an actress of the period. Editor: There's something ghostly about this portrait, despite its being linked to something as mundane as cigarettes. The sepia tone lends an antique feel, and the slight blurring makes Sadie seem to almost float on the surface of the card. Curator: Exactly! This kind of celebrity image fulfilled a cultural function, a way of capturing and possessing beauty, fame, even fleeting youth. The cigarette cards acted like mini icons of desire. Editor: Icon in the truest sense, perhaps? This is image veneration repackaged for mass consumption. The soft light, the upward gaze of Sadie, it suggests a higher plane of being. She almost looks angelic. Curator: Indeed. She's framed by a flower-bedecked hat. Flowers often represent femininity, but also fragility and the ephemeral nature of beauty itself, a message subtly underscored by the connection to cigarettes – an agent of decay. Editor: And she is gazing towards something, some idea just out of view. Her eyes seem so large; they suggest naivete and innocence, particularly juxtaposed with the product she is meant to promote, a decidedly adult vice. Curator: The very contrast, the purity implied by her dress against the product’s implications creates a kind of tension – making the image more striking and therefore, more memorable for consumers. There’s a manipulation at play here. Editor: Precisely. These objects weren't just promoting smoking, they were promoting a particular vision of glamour, packaging up idealized notions of womanhood for a burgeoning consumer culture. Curator: Right, they become encoded artifacts. These cards serve as historical documents of both consumer culture and society's symbolic systems. It invites us to read beyond the simple sales pitch. Editor: A brief yet rich analysis! One that allows us to move past its initial commercial purpose into wider and far-reaching social meanings of fame, commodification, and beauty.

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