Frederic Remington created this oil painting titled "One of Gomez’ Men" at the turn of the 20th century. It depicts a Cuban soldier, a member of General Máximo Gómez’s forces, during the Cuban War of Independence. The image is striking because it raises questions about the artist's perspective. Remington, known for his romanticized depictions of the American West, turns his gaze to Cuba, a site of colonial struggle. What does it mean to portray this Black Cuban soldier? Is it a celebration of his bravery or does it perpetuate a vision through an American lens? The soldier's determined gaze and formal attire contrast with the limited color palette. I’m left wondering about the untold stories and the diverse experiences within Gómez's army. This painting invites us to consider the complexities of identity, representation, and the narratives we construct about historical figures. It challenges us to reflect on whose stories are told and how they are framed.