Tapestry by Anonymous

Tapestry c. early 20th century

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weaving, textile, cotton

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weaving

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landscape

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textile

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figuration

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11_renaissance

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cotton

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genre-painting

Dimensions: 39 3/4 x 26in. (101 x 66cm)

Copyright: Public Domain

Editor: This is an early 20th-century cotton tapestry; it doesn’t appear to have a known artist, but is titled "Tapestry". It looks like a landscape scene and features figures wearing Renaissance-era clothing. The almost monochromatic textile gives off a solemn and refined tone. What are your first impressions? Curator: It immediately evokes a sense of cultural memory, doesn’t it? These genre-painting scenes, frozen in woven cotton, speak to a longing for idealized pasts. The figures engaged in their activity within a cultivated landscape – what do you think they might represent to viewers, then and now? Editor: I guess that, maybe they're romanticizing rural life? The two figures with the dog seem to be on the hunt. Then two figures seem to be overseeing the area with an ominous gaze. It gives it an element of storytelling through fabric, it seems. Curator: Exactly. Consider the act of weaving itself. Threads intertwined, becoming a narrative. Hunting scenes such as these were common within the tapestry and painting mediums during that era. The image speaks to status, wealth, and access to land. Beyond the action taking place, what sort of symbolic undertones do you get from the floral border? Editor: It does frame the narrative in a way, doesn't it? And maybe signals a relationship to nature, too? It gives it this air of refinement and class and serves to sort of bring out the elegance of the tapestries characters, especially since there appears to be noble or royal figures gazing on the other actors. Curator: Precisely. Flowers have symbolized all kinds of virtue, emotions, and ideas across eras and civilizations, right? Here, they enhance the sense of cultivated beauty and the refined tastes of those who might commission or own such a work. Thinking about tapestries throughout history, do you see a conversation between past and present taking place here, maybe even across a class structure? Editor: Absolutely! It's amazing to consider how materials and imagery can be so evocative across time. I had not considered this sort of history until now! Curator: Me neither! It’s always rewarding to see new contexts and connotations!

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