Judge More 1792

Francesco Bartolozzi’s “Judge More, Sr. Tho’s More’s Father” is an engraving that offers us a glimpse into the intricate layers of identity and representation in the 18th century. Made during a time of rigid social hierarchies, the portrait captures the likeness of a man who held a position of authority and influence. The artwork prompts us to consider the dynamics of power and privilege. The subject’s attire, complete with fur-lined robes and a distinguished cap, speaks volumes about his social standing and profession as a judge. It invites us to reflect on how societal structures shape individual identities and experiences. Whose stories are deemed worthy of preservation, and how do visual representations contribute to the construction of historical narratives? The image subtly hints at the complexities of justice and morality within a society defined by class distinctions. Ultimately, Bartolozzi's engraving is not just a depiction of an individual, but also a reflection of the values and power structures of his time. It reminds us that representation is never neutral, and that art can serve as a potent tool for both reinforcing and challenging societal norms.