St. Francis Receiving the Stigmata 1887

Edward Burne-Jones made this small painting of Saint Francis receiving the Stigmata with watercolor and gouache on paper. These were typical materials for preparatory sketches and smaller works. The gauzy, ethereal treatment of the angel is achieved by the fluid nature of watercolor, which allows for subtle gradations of tone. The artist has applied the paint in thin washes, building up layers of color to create a luminous effect. The gouache adds opacity and depth, particularly in the figure of St. Francis and in the landscape. Note how the texture of the paper shows through in places, adding to the overall sense of lightness. Burne-Jones was deeply inspired by medieval art, particularly stained glass. He embraced these techniques with a sense of craft and attention to detail, elevating them from mere studies to finished works of art. The work exemplifies the way that craft and fine art could be brought together.