Curator: Ferdinand Kobell, born in 1740, created this etching titled "Blindman's Bluff." It’s part of the Harvard Art Museums collection. What strikes you first about it? Editor: The energy, definitely. It feels like tumbling chaos, like a snapshot of pure, unadulterated play. Curator: The game itself, blind man's bluff, has a long history. It's fascinating how these games reflect social dynamics, the trust and risk involved. Editor: Trust and risk, yes, but look at those faces—or the backs of their heads, rather. There's a gleeful abandon. It almost makes me want to join them, even blindfolded. Curator: Kobell captured a specific moment in time, giving us a glimpse into 18th-century childhood. Editor: Childhood is timeless, isn't it? This etching is really wonderful.
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