Untitled (rhinoceros, close-up view) c. 1950

Curator: This is an untitled photograph by Jack Gould depicting a rhinoceros, captured in a striking close-up view. Editor: The stark contrast immediately gives it a powerful, almost primordial feel. The textures of the rhino's skin are so tactile. Curator: Indeed. The composition directs our gaze to the animal's rough hide and formidable horn, inviting contemplation on the beast's nature. The negative space further emphasizes the form. Editor: It also prompts reflection on Gould’s process. What kind of darkroom techniques did he use to achieve this level of detail? How did his choices inform our understanding of the animal and its presence? Curator: The negative image could signify the unseen realities or a hidden rawness within. It could also be symbolic of a distorted vision. Editor: Thinking about the means of production makes me consider our consumption of such images and how they shape our relationship to the natural world. Curator: A worthwhile contemplation. Editor: Absolutely. It’s been enlightening to look at it in this way.