drawing, print, paper, ink, engraving
drawing
medieval
pen illustration
paper
11_renaissance
ink
line
history-painting
northern-renaissance
engraving
Dimensions height 371 mm, width 481 mm
Editor: So, this intricate engraving is titled "Stamboom van het Habsburgse huis, blad twaalf," or "Family Tree of the House of Habsburg, Sheet Twelve," created sometime between 1533 and 1535 by Robert Péril. It’s overwhelmingly detailed—but in terms of tone, the image seems… celebratory? What jumps out to you when you look at this image? Curator: Indeed, the genealogical tree is rich with symbolic meaning. Notice how the artist uses the visual metaphor of a tree to represent lineage, but not a realistic tree; rather, we have symbolic leaves and carefully organized text. It isn't just a family record, but a deliberate construction of Habsburg identity and legitimacy. Consider, what emotional impact would these repeated portraits and heraldic devices have on viewers of the time? Editor: I can see how all the visual elements work together now to create that effect of enduring power and status. Are the Habsburgs the roots, maybe? And all the other names… branches? Curator: You're on the right track! The prominent figures, especially those within the central roundels, are clearly meant to be seen as pivotal to the dynasty. The choice of medium - print - also allowed for wide distribution. In effect, it’s propaganda! Think of the family tree less as objective fact, and more as carefully curated cultural memory. Do you notice any repeated images that tell us where their influence stretches to? Editor: Oh, you’re right, the repeated eagles are placed near those central roundels. Curator: Precisely. How does understanding the iconography affect your perception of the work? Editor: Well, it's shifted from just an ornate illustration to more of a statement—a bold declaration of heritage and power intended for a wide audience. I appreciate how even mundane details can carry deep symbolic significance! Curator: And how such symbols speak volumes across centuries! It really prompts you to consider, doesn't it, the intent and power of visual representation itself?
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