drawing, painting, paper, ink
portrait
drawing
painting
asian-art
ukiyo-e
paper
ink
men
Dimensions: Image (a): 34 5/16 × 10 3/4 in. (87.2 × 27.3 cm) Overall with mounting (a): 67 5/16 × 15 in. (171 × 38.1 cm) Overall with knobs (a): 67 5/16 × 16 3/4 in. (171 × 42.5 cm) Image (b): 34 1/2 × 10 15/16 in. (87.6 × 27.8 cm) Overall with mounting (b): 67 1/16 × 15 1/16 in. (170.3 × 38.3 cm) Overall with knobs (b): 67 1/16 × 16 5/8 in. (170.3 × 42.2 cm) Image (c): 34 1/2 × 10 11/16 in. (87.6 × 27.2 cm) Overall with mounting (c): 67 5/16 × 15 in. (171 × 38.1 cm) Overall with knobs (c): 67 5/16 × 16 5/8 in. (171 × 42.3 cm)
Copyright: Public Domain
Toriyama Sekien crafted these three hanging scrolls depicting the auspicious Noh dance "Okina," a ceremonial performance invoking peace and prosperity. Notice the figures: an old man with a distinctive white mask, another figure with a black mask, and a third performer. These masks are not mere theatrical props; they are potent symbols deeply rooted in Japanese folklore and religious practices. The white mask of Okina, for example, represents a divine elder, a symbol of longevity and wisdom. The Okina dance itself can be traced back to ancient rituals performed to appease the gods and ensure a bountiful harvest. This motif of masked figures enacting sacred rites appears across cultures and throughout history. Think of the masked priests in ancient Greek dramas, or the shamanistic rituals of indigenous cultures. Each performance, each mask, carries within it the weight of collective memory, a subconscious connection to our shared human past. The enduring power of these images lies in their ability to tap into our deepest emotions and instincts. They are a reminder that the symbols we create and the rituals we perform are not merely superficial gestures but powerful expressions of our shared humanity. This constant ebb and flow, this cyclical return of symbols and motifs, demonstrates how cultural memory shapes and reshapes our understanding of the world.
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