Plank Mask c. 1960
bwa
minneapolisinstituteofart
pigment, wood
circular oval feature
pigment
3d printed part
fashion mockup
round design
3d shape
clothing theme
3d modeling
wood
clothing photo
cartoon carciture
layered pattern
This "Plank Mask" is a striking example of Bwa art, a style of art created by the Bwa people in Burkina Faso and Mali. This mask, dating back to around 1960, is constructed of wood and painted with bold, geometric patterns in black, white, and red. It consists of three distinct sections, each featuring different stylized motifs, representing a powerful visual representation of Bwa beliefs and aesthetics. The mask's size and intricate design highlight its significance within Bwa culture.
Comments
Masks play an important role in the renewal ceremonies of the Bwa. The masks are danced during initiation ceremonies for young men and women, and appear at funerals and memorial services. They are also danced during the harvest ceremonies. During the fifteen day initiation ceremony, young petitioners are taught the meanings of the symbols on the mask. They learn the importance of becoming a respected Bwa, and the dangers of straying from the path of social behavior established by the ancestors. These lessons are symbolically represented on the mask. The double zig-zag line on the plank of the mask represents the path of the ancestors. The crescent shape on the top of the plank represents the moon, and the importance of time in the ceremonial year when masks are danced. The checkerboard pattern on the back of the mask represents the value of learning. When young initiates graduate from the ceremony, they are given a new white goat hide to sit on during ceremonies. Years later, the young initiate becomes an elder and the hide ages to a dark color. The checkerboard pattern emphasizes the reliance between the elders, symbolized by the dark areas, and the young initiates, symbolized by the light areas.
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