'Prospect af det Grevelige Moltkiske Palais Paa den Nye Friderikstad i Kiöbenhavn' 1756

Johan Jacob Bruun created this engraving of the Moltke Palace in Copenhagen. The composition immediately strikes us with its formal arrangement. The palace is centered, a solid mass rendered with precise lines, flanked by symmetrical wings. Bruun uses linear perspective to guide our eye, creating a sense of depth as the square recedes. Yet, the figures and carriages in the foreground appear somewhat flattened, almost like paper cutouts. This tension between depth and flatness destabilizes a straightforward reading of space. The sky, filled with dense, swirling clouds, adds a dynamic contrast to the rigid architecture below. The engraving functions as more than just a depiction of a building; it is a statement about order and power. The palace, with its Neoclassical facade, embodies Enlightenment ideals of reason and control, yet, it also serves as a symbol of social hierarchy, an expression of the owner’s elevated status. The very act of producing a 'prospect', or view, implies a desire to survey and dominate the surrounding environment.