Gezicht op het Zuider Spaarne 1762 - 1763

This print, *View of the Zuider Spaarne*, was made by Hendrik Spilman, probably in the mid-18th century, using the technique of etching. To create this image, Spilman would have coated a copper plate with a waxy ground, then drawn through it with a sharp needle, exposing the metal. The plate was then immersed in acid, which bit into the lines. The resulting incised plate was inked and printed, leaving us with this delicate scene. The choice of etching is significant. Unlike engraving, which demands great muscular force to cut lines directly into metal, etching relies on the chemical action of acid. It is a much faster process, and better suited to capturing subtle gradations of tone. Spilman uses this capability to full effect, creating a palpable sense of light on the water. Though etching had been considered a reproductive technique, Spilman elevates it to an independent art form, using its inherent qualities to explore the world around him. In doing so, he challenges our notions of what constitutes high art, urging us to appreciate the skill and artistry involved in printmaking.