Fisherman by Louise Gilbert

Fisherman 1950

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print, linocut, woodcut

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print

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linocut

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figuration

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linocut print

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woodcut

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naive art

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genre-painting

Dimensions Image: 460 x 415 mm (irregular) Sheet: 543 x 445 mm Mount: 610 x 510 mm

Curator: This linocut print, simply titled "Fisherman," was created by Louise Gilbert in 1950. The print employs strong contrasts, primarily black and turquoise, in what appears to be a naive style. Editor: My first impression is one of stark simplicity. The composition is undeniably bold. But those feet… those heavily defined legs suggest a life marked by constant struggle against the tides. Curator: Indeed. Consider how Gilbert used the linocut medium. The texture is key; the gouges around the fisherman, for example, frame him and push him forward in space, making the subject dominate. The sharp cuts throughout also contribute to the drama of the scene, heightened by the use of the solid blocks of color, characteristic of linocut prints. Editor: And what of that giant fish? Is it a trophy, or does it stand as a symbol of abundance plundered? The fisherman's catch almost dwarfs him. This piece, through its composition, asks important questions of class and society by showing labor, yet in its aesthetic form, abstracts away certain realities. Curator: Note, too, the symbolism embedded within the graphic design. The moon suggests cycles of time and tide, which dictates the subject's days, the fishing net with its abstract waves, suggests life's precariousness and bounty, perhaps hinting at mortality too. Gilbert's decision to flatten space in this naive way enhances the graphic quality, transforming the mundane act of fishing into something iconic. Editor: To build on your reading of cyclical patterns, note the gaze. His face appears hardened but hopeful; his posture shows resilience as a timeless depiction of man vs nature, as he provides for his community while the artist, Gilbert, depicts him with dignity during this snapshot in time. This invites discourse on labour, resilience, the natural world and the power dynamics that shape lives and resources. Curator: The piece really does lend itself to multiple readings through careful interpretation of graphic motifs and design. Editor: Absolutely, a powerful representation made potent through the visual impact of color and symbol.

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