Untitled [boy and girl with flag and gun] by Anonymous

Untitled [boy and girl with flag and gun] c. 20th century

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gelatin-silver-print, photography, gelatin-silver-print

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portrait

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gelatin-silver-print

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figuration

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archive photography

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photography

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culture event photography

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historical photography

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group-portraits

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gelatin-silver-print

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united-states

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genre-painting

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realism

Dimensions: 4 x 2 3/4 in. (10.16 x 6.99 cm) (image)7 1/8 x 5 1/8 in. (18.1 x 13.02 cm) (mount)

Copyright: No Known Copyright

Curator: This gelatin-silver print, an untitled photograph from around the 20th century, features a boy and a girl posed with an American flag and what appears to be a rifle. It is part of the collection at the Minneapolis Institute of Art. Editor: My first impression is one of stark contrasts: innocence and something unsettling. The children seem joyous, yet the inclusion of a firearm against the backdrop of the flag evokes a sense of nationalistic fervor, or perhaps even foreshadows a loss of innocence. Curator: Precisely. Considering the social context, the image could be interpreted as a reflection on the role of children in shaping and perpetuating national identity and military sentiment during that era. Editor: Looking at the formal composition, the photographer's choice to center the rifle creates a strong vertical line that divides the space and draws attention to its presence. The light, the softness, contrasts with this harsh element to add to this ambivalence. Curator: And the materials used – the gelatin silver print process – lends itself to a historical understanding. It speaks to a specific period of photographic production and consumption, possibly mass production of similar sentimental imagery for patriotic display. It suggests a wider culture. Editor: True. And there is also something potent in the simplicity of its aesthetic language. It evokes realism but with this soft rendering—look at how that wicker is rendered with the light falling on it— that transcends blunt reporting of things. It’s a tableau that presents conflicting signs—patriotism, childhood, weaponry—and offers no closure. It lets you see what it does and think further, formally. Curator: That push and pull might also mirror contemporary attitudes in early twentieth century American culture: nationalism but a rising sense of concern toward what that might signify, how militarization impacted domestic ideals, family dynamics, children's developmental ideas. Editor: Exactly. A photograph like this offers us layers to think with regarding our own engagement in visual culture and the history that went into making it. Curator: A crucial visual document and opportunity to reflect on those continuing cultural dynamics—not just photographically, but culturally too.

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