The wonderful Wizard of Oz Pl 1 by William Wallace Denslow

The wonderful Wizard of Oz Pl 1 1900

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drawing, print, ink, woodcut

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drawing

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quirky illustration

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childish illustration

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narrative-art

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print

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line drawing coloured

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cartoon sketch

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figuration

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personal sketchbook

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flat colour

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ink

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ink drawing experimentation

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folk-art

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woodcut

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line

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sketchbook drawing

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storyboard and sketchbook work

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cartoon carciture

Copyright: Public Domain: Artvee

Editor: This is “The Wonderful Wizard of Oz Pl 1,” a print and ink drawing from 1900 by William Wallace Denslow. There’s a sort of charming simplicity to it; the tin man has this really quirky feel. What do you see in this piece? Curator: This illustration, seemingly simple, actually hums with the visual language of its time. The Tin Man himself embodies a poignant shift. He is made of modern industrial materials but seeks something fundamentally human – a heart. Editor: That's interesting, the symbolism of a "heart". Can you say more? Curator: Think of the heart as a stand-in for compassion, empathy, qualities often deemed fragile in a rapidly industrializing world. The red square… it provides the emotional stage for our character. Why this stark red? Perhaps it mirrors both the life-force he lacks and the emotional intensity of his quest. Editor: So the color's not just decorative; it’s actually loaded with meaning. And I see the flowers around the base of the tree and on the ground too! Curator: Precisely! These naturalistic touches contrast with the Tin Man's artificiality, suggesting a world where nature and industry intersect, sometimes harmoniously, sometimes jarringly. And consider his axe – a tool for creation but also for destruction. What is the symbolic weight when the emotionless one is wielding it? What will he do with the new-found compassion, when he finds it? Editor: That's a really striking point - so this isn't just a children's illustration but also reflects the complex anxieties of a changing era. I never would have thought to dig this deeply without your help. Curator: It is our shared visual memory. The artist calls upon us to understand the layers beneath the familiar.

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