Genève gezien vanaf de Quai du Mont Blanc, met op de voorgrond aangemeerde schepen by Auguste Garcin

Genève gezien vanaf de Quai du Mont Blanc, met op de voorgrond aangemeerde schepen before 1880

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aged paper

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light pencil work

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photo restoration

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parchment

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light coloured

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colourisation

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archive photography

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historical photography

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old-timey

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19th century

Dimensions height 108 mm, width 160 mm

Curator: Welcome. We are looking at an early photograph taken before 1880, titled "Geneva Seen from the Quai du Mont Blanc, with Moored Ships in the Foreground," credited to Auguste Garcin. It's a captivating image capturing a moment in Geneva's past. Editor: Oh, this gives me such a nostalgic pull! It's sepia-toned and soft, with those gentle lines of the cityscape fading into the distance. It's as if I'm peering through time itself. There is something magical about these old photos. Curator: Indeed. Photography was rapidly evolving in this period. What stands out is how this image uses the emerging technology to frame Geneva’s burgeoning industrial development alongside its enduring architectural landscape. Notice the prominence given to the steamboat—a symbol of modernity—and the detailed rendering of the cityscape, underscoring the growing importance of Geneva as a commercial and tourist hub. Editor: Absolutely! The steamship is such a dominant feature. The photographer almost treats it as royalty. It anchors the scene, leading my eye past that stunning bridge towards those buildings that seem to disappear into the misty heights. Is it just me, or is there a deliberate contrast between the hard, engineered lines of the ship and bridge against the softer, more organic form of the city and mountains? Curator: That’s a keen observation. The composition reflects the 19th-century's fascination with juxtaposing nature and industrial progress. Furthermore, consider the role of the "Quai du Mont Blanc" itself. As a newly constructed embankment, it would have been a visible symbol of Geneva's ambition to modernize its infrastructure and waterfront. Garcin captures this interplay. Editor: So, it's not just a pretty picture; it’s a visual argument? Like a time capsule containing ambition and anxiety? I love how it invites you in, then gives you a history lesson once you’re hooked. Curator: Precisely! Works like this show photography’s important role in constructing and circulating particular narratives about urban space and progress. Editor: I get the feeling it allows us to experience how it felt to exist within the landscape during such a period of profound changes. Well, now I have a different appreciation for that steamship! Curator: That's what makes this kind of art so meaningful—it offers glimpses of the complex interactions between a place, its people, and their aspirations through changing technologies. Editor: Cheers to time capsules disguised as vintage photos! This one will stick with me for a while.

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