Ichimaru by Kobayakawa Kiyoshi

Dimensions image, sheet: 15 13/16 x 10 5/16 in. (40.16 x 26.19 cm)

Editor: This is "Ichimaru," a woodblock print made in 1933 by Kobayakawa Kiyoshi, now at the Minneapolis Institute of Art. There's a certain quietness to this portrait that I find captivating. It’s the focused gaze downward, maybe contemplating some letter? What catches your eye in this piece? Curator: That quietness resonates deeply, doesn't it? I feel drawn into her private world. It reminds me of those fleeting moments of introspection we all experience. But, consider the era – the 1930s in Japan. It was a period of intense social and political change. Could this image be subtly hinting at the societal expectations placed upon women at the time, the pressure to be demure and introspective? Or is she perhaps lost in her own thoughts, dreams maybe. What do you think, is there a certain melancholic beauty here? Editor: Yes, I can see that melancholic beauty. It also made me think, the Ukiyo-e tradition often depicted courtesans, and the title "Ichimaru" suggests a personal name. Does that point to the identity or role of the woman portrayed? Curator: Ah, an excellent observation! “Ichimaru” was indeed a common name for geisha at the time. The Ukiyo-e tradition often blurred the lines between portraiture and idealization, and Kobayakawa here creates an idealized vision. Her gaze and the traditional garment speak of beauty, artistry, and dedication to cultural refinement. Now look at the textures - notice the detailed patterns on her kimono against the smooth, almost dreamlike quality of her face? Editor: Yes, it's quite subtle, almost like a photographic focus trick! What did the Ukiyo-e tradition try to communicate? Curator: I'd argue that through refined artistic means, these artworks prompt reflection about personal identity and societal expectations, even today. And they invite viewers to consider the intricate balance between an idealized vision and everyday realities. Editor: So, more than just a portrait, it's a cultural snapshot and maybe a quiet reflection on being a woman then, told through beautiful lines and textures. Thanks!

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minneapolisinstituteofart over 1 year ago

First edition.

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