Savoy Pigeons 1896

Curator: This is James Abbott McNeill Whistler's "Savoy Pigeons," a print residing here at the Harvard Art Museums. Editor: Immediately, I get this feeling of hushed anticipation. The composition, especially with that golden hue, is so atmospheric. Curator: Whistler's piece provides a look into the rapidly changing urban landscape and class relations in London during the late 19th century. We can also read this work as a critique of industrialization and its impact on marginalized communities. Editor: I see that, but it is interesting that you mention class relations, because the pigeons themselves could be seen as symbols of freedom. Perhaps they are not as constrained by society as the human figures seem to be. Curator: Perhaps, but it is important to consider how the presence of wildlife in urban settings can also be a marker of environmental degradation. Editor: I can appreciate that point of view. It gives me much to consider about the work! Curator: Likewise, there is so much to unpack when thinking about Whistler's place in art history. Editor: Precisely, food for thought.