Beeld door J. Hughes, voorstellend Bailly legt de eed op de Kaatsbaan af c. 1875 - 1900

This photograph captures a sculpture by an anonymous artist, representing Bailly at the Oath of the Tennis Court. The composition is immediately striking, built around a pyramidal structure formed by three figures and the raised platform. This arrangement creates a sense of stability and unity, essential for conveying the solemnity of the oath. The photograph emphasizes the sculptural forms through its tonal range, highlighting the smooth textures and sharp contours of the figures. Their gestures—raised hands, outstretched arms—direct the viewer's eye, constructing a dynamic network of gazes and intentions. The artist uses these lines to suggest not only a moment of historical importance but also the psychological states of the individuals involved. The choice to freeze this moment in time, immortalized through sculpture and then photography, reflects a desire to transform transient political action into an enduring symbol. Consider how this image, through its formal qualities, seeks to distill complex historical events into a coherent and powerful visual statement. Ultimately, the work invites contemplation on the interplay between representation, history, and the enduring quest for meaning through art.