S. Scolastica near Subiaco 

Ludwig Metz made this drawing of S. Scolastica near Subiaco with graphite on paper. A seemingly simple medium, but capable of great subtlety. Look at the light touch with which Metz has captured the architecture. He uses a range of mark-making techniques, from hatching to stippling, to describe the stone surfaces and architectural details. The linear qualities are precise, capturing the structural logic of the church. The material's inherent qualities, like its smooth texture and ability to create fine lines, allow for a detailed representation. This approach aligns with the tradition of architectural drawing, where accuracy and clarity are valued. Yet, the drawing also transcends mere documentation, embodying a sensitivity to light and form that elevates it to the realm of art. The drawing underscores the importance of materials and making in understanding an artwork, even one that appears straightforward.