Irozaki, Evening 1960

Toshi Yoshida’s woodblock print, Irozaki, Evening, captures a serene coastal scene, dominated by the rugged beauty of rocky islands and a tranquil sea. The twisted pine tree in the foreground, however, holds particular significance. The pine, or matsu, is an ancient symbol in East Asian art, appearing in works across time and geography. It represents longevity, steadfastness, and resilience. Look closely, and you might notice how the tree’s horizontal orientation creates a sense of balance and harmony. This motif echoes in Chinese paintings, where a similar pine tree motif is an emblem of virtue. But it is not merely a symbol of virtue; it is also a symbol of melancholy. The image evokes a sense of quiet contemplation, engaging us on a subconscious level. The cyclical progression of the pine, from its roots in ancient symbolism to its modern interpretations, reminds us of the continuous cycle of life, death, and rebirth. The cultural memory embedded in these motifs resonates deeply, illustrating the complex tapestry of human experience across time.