Twee gezichten op forten te China by Ordnance Survey Office

Twee gezichten op forten te China Possibly 1894

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print, photography, gelatin-silver-print

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aged paper

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homemade paper

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print

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light coloured

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asian-art

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hand drawn type

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landscape

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photography

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personal sketchbook

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hand-drawn typeface

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fading type

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stylized text

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gelatin-silver-print

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thick font

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historical font

Dimensions height 426 mm, width 195 mm

Curator: Here we have a gelatin-silver print, potentially from 1894, titled "Twee gezichten op forten te China," attributed to the Ordnance Survey Office. It presents a diptych, essentially two distinct photographic views of fortifications. Editor: My immediate impression is one of stark documentation. The monochrome palette and sharp, almost clinical focus render these fortresses with a cold objectivity. Curator: Precisely. Observe how the photographer strategically employs high vantage points. In each frame, a complex interplay of line and form emerges. The angular architecture of the forts contrasts markedly with the soft, undulating terrain. Editor: Agreed, and consider the materiality. The gelatin-silver process allows for remarkable detail—you can almost feel the rough texture of the stone and earth. It prompts one to think about the labor involved in both constructing and recording these sites. Whose hands built those fortifications? Who developed these prints? Curator: Indeed, the tangible quality of the print lends it a historical weight. The aging paper adds another layer, evoking the passage of time and the shifting interpretations of geopolitical power these forts represent. Editor: Also, notice the distinct hand-drawn type included as titles on each photograph. It almost reminds one of an inscription found on site – another layer in our archeological 'dig' through materials, contexts and history. Curator: An excellent point. I’m drawn back to those hand-drawn letterforms – the graphic style is rather unusual, it’s a curious marriage of objective realism and stylistic flourish. Editor: For me, the pairing of photographic realism with handcrafted additions highlights the constructed nature of both documentation and power. These images aren’t neutral; they are made objects representing larger geopolitical ambitions. Curator: I see what you mean. Looking closer I find myself intrigued by how the geometric structure mirrors and punctuates the natural terrain, offering the viewer multiple angles and perspectives in interpreting the history represented by it. Editor: It makes you ponder the complex narratives hidden in these fortified spaces, narratives that continue to evolve with each encounter.

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