Gevechten tussen Habsburgsers en Turken net buiten Wenen by Romeyn de Hooghe

Gevechten tussen Habsburgsers en Turken net buiten Wenen 1684

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print, engraving

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baroque

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print

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landscape

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cityscape

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history-painting

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engraving

Dimensions: height 166 mm, width 205 mm

Copyright: Rijks Museum: Open Domain

Editor: So this engraving by Romeyn de Hooghe from 1684 depicts the "Battles between Habsburgs and Turks just outside Vienna," it looks pretty chaotic and violent, with smoke, fighting, and fallen figures. I wonder, what stands out to you when you look at this work? Curator: What immediately strikes me is the active engagement of art in shaping public memory and political narratives. Consider that this print, likely intended for a wide audience, memorializes the Habsburg victory against the Ottomans in 1683. Note how the artist focuses on the "lifting" of the siege – presenting the event not just as military action, but as a deliverance, and promoting the Habsburgs as saviors of Christendom. How do you think this imagery might have influenced public perception at the time? Editor: That’s a great point. I hadn’t thought about it as something intentionally celebratory. The dramatic smoke and active battle would certainly have made the Habsburg victory seem heroic. It almost makes me wonder if the level of violence is almost glorified through this depiction. Curator: Exactly! Look closer. De Hooghe was not just documenting a battle; he was constructing a political statement. See how the Ottoman figures are depicted in the lower parts of the composition? What statement is De Hooghe making by that artistic choice? Editor: Interesting… so the way De Hooghe portrayed it, it shows that those of Turkish descent are at a lower social status. Almost a symbol that they lost in an undeniable and ‘shameful’ manner. It makes you wonder how the general public may have seen them as these ‘villains’ of the world back then. Curator: Precisely. So we shouldn't view this print merely as an historical record. We have to see it as a carefully constructed image meant to serve particular ideological purposes in its time, which prompts questions about the ethics of representation in politically charged contexts. Editor: This engraving provides an opportunity to delve into the historical and cultural background of the piece! Looking through an expert’s lens of the time allows us to see the cultural influences behind Romeyn’s work! Curator: Yes. This understanding enriches our ability to analyze the visual representation of complex historical events, and their effects on society’s perspective on political events.

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