The Jealous Lover 

Curator: This is "The Jealous Lover," a drawing by John Collet, from around the 18th century. It's part of the Tate collection, measuring about 24 by 27 centimeters. Editor: It’s a snapshot of unease, isn't it? All those figures crammed together, yet the atmosphere feels so isolated, almost claustrophobic. Curator: Collet often used caricature to satirize the follies of his time. The title directs us, but look at the symbols: the dog, a traditional symbol of fidelity, seems out of place. Editor: Yes, and the painting in the background—is that Cupid? The symbolism deepens the irony. Who is being faithful, and who is the lover in question? The scene makes us think about social dynamics and power. Curator: Exactly. The jealous lover is caught between desire and social constraint, playing out the tensions of his era. Editor: The drawing reminds me that social critique is so often filtered through the lens of gender and class. It's a potent mix for revealing underlying anxieties. Curator: Indeed, and one that continues to resonate. Editor: It's striking how relevant these age-old power plays remain.