Gezicht op de ruïne van het Kurhaus te Scheveningen by Willem Frederik Vinkenbos

Gezicht op de ruïne van het Kurhaus te Scheveningen before 1887

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photography, gelatin-silver-print

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landscape

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photography

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gelatin-silver-print

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realism

Dimensions: height 98 mm, width 150 mm

Copyright: Rijks Museum: Open Domain

Curator: This gelatin silver print, "Gezicht op de ruïne van het Kurhaus te Scheveningen," captures the ruin of the Kurhaus in Scheveningen; the piece is attributed to Willem Frederik Vinkenbos and was created before 1887. Editor: What a somber image. The skeletal remains of a building dominate the scene, while these little tents cluster on the beach below, seemingly untouched. The contrast is stark; the sea looks as if nothing is going on. It speaks of fragility and impermanence, perhaps? Curator: Indeed. The Kurhaus was a grand hotel; its destruction would have been a spectacle. I believe that it is powerful because it shows a specific historical event, not just any old ruins. The image reminds us how human ambition can so easily crumble under the forces of, well, in this case, fire, and circumstance. Editor: Looking at the textures, the smooth beach, the crisp detail of the tents and, finally, the gnarled and jagged edges of what is left of the Kurhaus: one must remember that photography was still a relatively new medium at the time. These are signs that suggest we focus on decay or survival of something else, instead of an accident. I also observe a sense of loss. It has cultural memory, that space no longer being available. Curator: Absolutely. There's a palpable sense of immediacy here. Photography provided a unique way to capture the realities of destruction and offered new means of disseminating images on a broader social scale, reinforcing a shared historical consciousness of major public events. Its popularity further served a symbolic purpose. The picture of ruins reminded viewers of potential destruction, chaos, and uncertainty in modern life. Editor: A constant reminder that, despite appearances, order is never fully in our grasp and can crumble unexpectedly, leaving scars on the landscape. This is not the triumph of modernity but an echo of its inherent vulnerabilities. Curator: The symbolism of resilience juxtaposed with destruction seems just as powerful now as it must have been when Vinkenbos first captured this vista. Thank you, a good reflection to move ahead from.

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