Il Ciabattino  (II Versione) by Pasquale Celommi

Il Ciabattino (II Versione) 

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painting, oil-paint

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painting

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oil-paint

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portrait subject

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genre-painting

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academic-art

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portrait photography

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realism

Copyright: Public domain

Curator: This is "Il Ciabattino (II Versione)," by Pasquale Celommi. The painting, created with oil paint, offers a glimpse into a bygone era. Editor: It has this quiet intimacy; you're immediately drawn into the meticulous concentration of the cobbler. It's a dark, contemplative space but so warm in its execution. Look at the texture in those weathered hands. Curator: Absolutely, Celommi excels at portraying the dignity of labor. Genre painting like this offers such valuable insight into the societal structures and class dynamics of the time. Consider the symbolism inherent in depicting a craftsman. Editor: The sheer amount of worn, specialized tools and the focus on craft are telling. These weren't mass-produced objects, but unique, crafted pieces imbued with hours of labor and skill. Each tool having a history, each mark on the wooden workbench telling a silent story. It speaks volumes about value—what it means to make something well with your own hands. Curator: Right. This highlights a distinct intersection between the socio-economic position of skilled labor and its perceived value in art. Realism, academic in its technique, elevating a "common" profession, but does it challenge, or reinforce, the status quo? Editor: It’s both a romanticization and a document. This is how these things are made— the literal making. Oil paint meticulously laid on canvas mimics the process, giving that same handmade sense to art. Curator: Perhaps Celommi aimed to honor the shoemaker through the artistic rendering, immortalizing his trade while making a comment on the broader societal role of craftsmanship and what it contributes to a cultural heritage. Editor: It certainly urges us to question who is celebrated, and why. Thinking of how this meticulous work creates valuable objects... What gets immortalized through artistic means says a lot. Curator: I see now what this piece wants to discuss about class, society and production through its depiction. Editor: Yes, both the process and materials involved— that's how value is created, in a studio or a cobbler's shop!

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