Notities c. 1916

Curator: Ah, yes, Reijer Stolk's "Notities," circa 1916. A whirlwind of ink and paper and, look closely, even some textile elements. It's like stumbling upon a whispered secret. Editor: It’s incredibly intimate, isn't it? Almost voyeuristic. The handwriting, the faded paper...it gives off a very melancholy feeling. What strikes you most about this piece? Curator: Its fragmented nature, I think. Like trying to piece together a shattered memory. The mix of script and sketches, of defined forms and abstract shapes, reminds me of the chaotic, wonderful jumble of the human mind. Have you seen any recurring images that grab you? Editor: There are floral motifs, almost Art Nouveau in their style, that are fighting for attention. There is text here as well; does this relate to his artistry? Curator: Yes, symbolism seeps through. Remember, Stolk moved in circles influenced by Symbolism and Art Nouveau. To me it almost serves as Stolk’s way to say everything and nothing. It's a personal visual language we are seeing, in a language we likely cannot read. A visual stream of consciousness from an artist grappling with love, loss, and, I suspect, the burgeoning madness of war. A rather intense experience of beauty! Editor: It is more evocative with that historical backdrop in mind! I saw the chaotic nature initially, now I appreciate the method within it. Curator: Exactly. And isn't that often the way with art, and life itself? What once seemed disordered suddenly reveals a profound, underlying harmony. Thanks, as always, for your astute perspective, too!