Copper Storage Box by Albert Pratt

Copper Storage Box c. 1940

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drawing, painting, watercolor

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drawing

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painting

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watercolor

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watercolour illustration

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modernism

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watercolor

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realism

Dimensions overall: 35.5 x 27.8 cm (14 x 10 15/16 in.) Original IAD Object: 21" high; 21" long; 18" deep

Curator: This watercolor piece by Albert Pratt, titled "Copper Storage Box," was created around 1940. It’s an intriguing rendering of an everyday object. Editor: It does have a certain weight, doesn't it? Solid, grounded… almost monumental for something so ordinary. The way the light hits it makes me think of worn leather rather than copper, which is odd. Curator: I see that too; the patinated surface speaks of age and use. In terms of visual language, containers often signify hidden content, secrets, even protection. Do you think this box suggests something specific? Editor: I'm drawn more to the making of it. Pratt chose watercolor – a medium usually associated with landscapes or light washes – to depict something hard, metallic. It's about transforming the industrial into the intimate, or at least relatable through the handmade qualities visible in the marks of the watercolor brushstrokes. Curator: Precisely, and I find myself reflecting on its symbolic role: a receptacle for memories perhaps, or the literal nuts and bolts of daily life. Its presence prompts contemplation on what we choose to safeguard. Copper itself possesses historical associations with wealth, craft, and utility. Editor: Right, this box isn’t just a box, but also a trace of production. Someone shaped that metal, someone designed the latch… it's all embedded in the object itself. Thinking of its time, c. 1940, the material also invokes wartime needs for mass-produced functional goods. It’s not pretty, but intensely practical. Curator: I agree completely. And that date certainly brings context; during this era, function trumped ornate design. Everyday objects embody deeper cultural values and social priorities. Editor: Definitely. Looking closely at the surface, it seems to almost breathe; Pratt really saw and depicted the marks of use, almost venerating its humble presence. The medium of watercolour makes the mundane almost shimmer. Curator: It really highlights how an artist's hand can imbue even a utilitarian piece with enduring meaning. Editor: Indeed. It makes me think twice about discarding that old toolbox. There’s history held within such pieces, waiting to be uncovered.

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