Four Studies of the Belvedere Torso 

Curator: Joseph Highmore, who lived from 1692 to 1780, created this pen and ink drawing, "Four Studies of the Belvedere Torso." It's currently part of the Tate Collections. Editor: Oh, the drama of the human form captured in these studies! It feels so alive, even in its fragmented state. I love the way the ink bleeds slightly, giving it an ethereal quality. Curator: Well, the Belvedere Torso was a very important classical sculpture. Artists often studied it to understand anatomy and ideal form. It’s interesting to see the different angles Highmore chose. Editor: It's like he's trying to wrestle with its essence. Each sketch captures a different facet of its power. It makes me want to grab some charcoal and try it myself. Curator: I think what strikes me is how this sketchbook page encapsulates a pivotal moment in art history, when the antique was the ultimate model for artistic excellence. Editor: I see it more as Highmore grappling with timeless beauty. It's a dance between the artist and the marble, both trying to say something about the human condition. Curator: Right, and in this conversation between artist and object, we find the origins of artistic training. Editor: Totally! I’m now seeing the work of Highmore, and the Torso, in a fresh way.