ceramic, porcelain, sculpture
sculpture
asian-art
ceramic
porcelain
figuration
folk-art
sculpture
decorative-art
Dimensions Height: 9 1/2 in. (24.1 cm)
Curator: My goodness, that grin is something else. It's... unsettling, but captivating, right? Editor: Indeed. We are looking at "Buddhist Divinity," a porcelain sculpture crafted by the Meissen Manufactory sometime between 1730 and 1745. Its decorative style certainly reflects its period. Curator: "Buddhist Divinity," huh? I see the 'divinity,' I definitely see the... porcelain. But Buddhist? Maybe a god of mischief? He looks like he's about to spill the tea... literally. The scale of this figure isn’t very big; it’s sitting on what looks like a miniature base, offering, of all things, tiny tea cups and a tiny pot. He makes me laugh out loud—his eyes bug a bit and the ears are…well, there’s just a lot to process. Editor: Observe how the porcelain medium allows for incredibly fine details in the floral patterning of the robes and in the facial features. The artist leverages porcelain’s inherent luminosity. This contrasts sharply with the more austere interpretations of Buddhist figures you might find elsewhere, like those sculpted in bronze, for instance. The composition leads your eyes in a clockwise flow, starting at the cup being offered up and moving down to the teapot at his base. Curator: See, to me, that almost jarring brightness against such expressive features is a choice. Like they were almost laughing at these European interpretations of Eastern spirituality? Porcelain in Europe was still a relatively novel medium in the early 18th century; and what an utterly delightful way to push boundaries by using it to portray spiritual figures. Editor: It is provocative and a perfect artifact, a physical embodiment of cultural exchange and perhaps, misinterpretation, across continents. What stories this little porcelain deity could tell. Curator: Oh, the scandalous tea parties! Maybe this audio guide is his way of finally spilling that tea, metaphorically speaking, of course. Editor: It's a captivating artwork, demanding more than just a passing glance. Curator: Definitely gives you something to chew on... maybe with a tiny porcelain cup of tea!
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