View of Ise Divers Processing Abalone (Ise no ama nagaawabi tsukuri no zu) 

Editor: This is Utagawa Kunisada's "View of Ise Divers Processing Abalone." It's a woodblock print that depicts two figures on the shore with boats visible in the distance. I'm struck by the contrast between the elaborately dressed figure and the other figure, who is only partially clothed. What can you tell me about the social context of this image? Curator: Well, this print is fascinating because it presents both labor and leisure. The diver represents a specific class and occupation, while the other figure's attire suggests a different social position. How might this image function within the context of Japanese printmaking and its patronage? Editor: That’s a good question. Maybe the diver is there to sell seafood. It seems the image is playing with class and labor. Curator: Exactly. It also touches upon the commodification of labor and the representation of women in ukiyo-e prints, a visual record of societal hierarchies and market forces. It's interesting how class is portrayed here, right? Editor: Definitely, I see so many ways to understand this now. Thanks! Curator: My pleasure!