Gud kaldte. Siddende Adam og Eva, der omfavner hinanden 1896

Hans Gyde Petersen crafted this sculpture, "God Called. Sitting Adam and Eve Embracing Each Other," with plaster, though its damage presents a poignant narrative. Observe the embrace, a motif laden with cultural weight. This gesture, repeated through epochs, echoes the shared humanity and solace found in connection, reminiscent of ancient depictions of mourning or familial protection. Yet, here it's fractured. The embrace, meant to signify unity and comfort, appears strained, almost desperate. Consider how the embrace appears in depictions of the Pietà, where Mary cradles the lifeless body of Christ. This motif, deeply ingrained in our collective memory, speaks to loss, compassion, and the human need for connection in times of suffering. Here, the embrace is a symbol of mankind searching for meaning in the divine. The emotional resonance of this embrace is a testament to the power of visual symbols. It resonates with our own subconscious understanding of love, loss, and the search for meaning, evoking a profound sense of empathy and recognition. This sculpture reflects the cyclical nature of human experience, where primal emotions are continuously reinterpreted.